Jen Ziel Klewitz Photography

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  • Portrait of Denis Jiron, bandleader and trombonist for Rumbankete, a Los Angeles, California-based salsa orchestra, taken in Woodland Hills, Calif., on April 3, 2010, for the band's promotional use and album cover.  Photo by Jen Klewitz.  (Jen Klewitz © 2010)
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  • Denis Jiron, a conservatory-trained classical and jazz trombonist, poses with his most "indispensable objects": his first and favorite car, a 1972 Datsun Convertible,  and his personal collection of 8 trombones of different types and ages spanning from 1932 to present. He is posing in the front yard of his family's home in Bloomington, California, on April 15, 2009. Photo by Jen Klewitz
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  • Portrait of Denis Jiron, bandleader and trombonist for Rumbankete, a Los Angeles, California-based salsa orchestra, taken in Woodland Hills, Calif., on April 3, 2010, for the band's promotional use and album cover.  Photo by Jen Klewitz.  (Jen Klewitz © 2010)
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  • Portrait of Kirsten Bersch, violinist for Rumbankete, a Los Angeles, California-based salsa orchestra, taken in Woodland Hills, Calif., on April 3, 2010, for the band's promotional use and album cover.  Photo by Jen Klewitz.  (Jen Klewitz © 2010)
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  • Portrait of Matt Amper, pianist and songwriter for Rumbankete, a Los Angeles, California-based salsa orchestra, taken in Woodland Hills, Calif., on April 3, 2010, for the band's promotional use and album cover.  Photo by Jen Klewitz.  (Jen Klewitz © 2010)
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  • Portrait of Humberto Ruiz Jr, trombonist for Rumbankete, a Los Angeles, California-based salsa orchestra, taken in Woodland Hills, Calif., on April 3, 2010, for the band's promotional use and album cover.  Photo by Jen Klewitz.  (Jen Klewitz © 2010)
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  • Cactuses from the garden of Keith Riley, Hokitika, New Zealand. Photo by Jen Klewitz
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  • Punakaiki, South Island, New Zealand. Photo by Jen Klewitz
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  • Brighton Beach, Christchurch, New Zealand. Photo by Jen Klewitz
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  • Abandoned car, Invercargill, New Zealand. Photo by  Jen Klewitz
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  • Traditional bush food of the Bardi Aboriginal people, including billygoat plum, wild yam roots, and shellfish. Sunday Island, the Kimberly, Australia. Photo by Jen Klewitz
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  • Reflection of trees in the morning light in a billabong, The King Leopold range, the Kimberly, Australia. Photo by Jen Klewitz
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  • Fine grass tips, the Kimberly, Australia. Photo by Jen Klewitz
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  • Rock art pantings known as the Gwion Gwion, or Bradshaw style, found in the remote northern reaches of the Kimberly region, Australia. The age and original creators of the paintings, whose images and figures differ dramatically from other Aboriginal Australian rock art in the area, are as of yet unidentified. Photo by Jen Klewitz
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  • Lee Hetelson, of Oakland, Calif.,  steals a kiss from his fiance Nereida Rodriguez, of Los Angeles, Calif., at the 90th birthday party of  Rodriguez's grandmother, held on November 6, 2010, at the Sociedad Jose Marti in Hawthorne, California. Photo by Jen Klewitz
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  • Seven year-old Irene Chu of Los Angeles (center, foreground) and fellow dancers from the 10-member Korean Yu Su Kyung Hah-Yah Traditional Dance Group wait backstage to perform a Korean fan dance to a crowd of 200 at a festival held in celebration of the Korean New Year on January 31, 2009, in Chinatown, Los Angeles, California.  Photo by Jen Klewitz
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  • Trombonist Arturo Velasco, foreground, plays with the salsa orchestra Costa Azul at El Floridita Restaurant in Hollywood Calif., on August 18, 2009.  Photo by Jen Klewitz
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  • Indigenous men originally from Oaxaca, Mexico and now living in Los Angeles, Calif., dance at a Oaxacan community gathering at a private residence in South Los Angeles, Calif., on August 11, 2007.  The men are dressed in costumes as both men and women, all wearing masks, wigs, and Western dress. The dance was performed both to entertain the gathered crowd -most of whom were members from several Oaxacan-American organizations-and to make a somber and mocking statement about Indigenous Oaxacans who come to the United States, and who loose touch with their indigenous roots and culture by assuming Western practices, such as women who dye their hair blonde, or men who flaunt excessive, street gangster-style jewelry.  Photo by Jen Klewitz
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  • Vintage car taxis, or maquinas, and bicitaxis gather at a central departure point next the Parque de la Fraternidad, south of the Capitolio building in Havana, Cuba. Photo by Jen Klewitz
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  • Children play tag games in the street while adults hover in doorways and sit on doorsteps on a darkened block of their inner city neighborhood of Jesus Maria, in Havana, Cuba.  Rolling electrical blackouts, due to infrastructure problems and a lack of oil in the country, drive residents into the streets to escape the heat and darkness of the buildings.  The random blackouts can often strike one block, while leaving the next illuminated. Photo by Jen Klewitz
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  • A roughly hewn, but nonetheless colorful children's playground in Havana Vieja, Cuba, fills the space between buildings where another structure once stood.  In the dense city of Havana, the spaces where deteriorating buildings have fallen or been demolished by the state, if able to be cleared, are often filled with playgrounds, basketball courts, car lots, or mechanic's shops. Many lots otherwise sit with rubble piles in place for years at a time, or are cleared slowly over a number of months or years. The state is in dire  lack of resources to repair or construct new buildings, despite their historical or architectural significance.  Photo by Jen Klewitz
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  • A deteriorating building frontice, scaffolding and mural along the Prado, a main walkway through the central area of downtown Habana, Cuba.  The scaffolding have been in place supporting the building frontice long enough for foliage to have grown up several stories into it's upper reaches. It was unclear at the time of the photo whether the remains of the building were intended to be demolished, or restored.  Photo by Jen Klewitz
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  • Elina Miro Rodriguez contemplates her next move during an afternoon match of Dominoes in Centro Habana, Cuba. Photo by Jen Klewitz
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  • Stefanie Pelegrino, 7, holds up a small charm displaying a symbol believed to ward off the evil eye. The symbol is often worn as an amulet, found hanging in the entryways, or painted on the walls of Cuban homes.  Photo by Jen Klewitz
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  • From left to right, neighbors Mariana Dilu Hernandez, 9, Stefanie Pelegrino, 7, and Davey Adria, 10, clown around in the passageway of their apartment building in the Havana, Cuba neighborhood of Jesus Maria.  The wood supports under which they are playing are holding up the deteriorating roof above the passageway.  Photo by Jen Klewitz
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  • Photo from a recording session of the music group Marbella, taken at the Coney Island Studio in Glendale, Calif., on Jan 22 and 23, 2011. Photo by Jen Ziel Klewitz (www.jenzielklewitz.com) .  The group is headed by singer Caroline Pierotto and guitarist Jose Antonio Cruz Moreno. Forthcoming album produced by Alberto Lopez.  © Jen Ziel Klewitz
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  • Photo from a recording session of the music group Marbella, taken at the Coney Island Studio in Glendale, Calif., on Jan 22 and 23, 2011. Photo by Jen Ziel Klewitz (www.jenzielklewitz.com) .  The group is headed by singer Caroline Pierotto and guitarist Jose Antonio Cruz Moreno. Forthcoming album produced by Alberto Lopez.  © Jen Ziel Klewitz
    MarbellaStudioFinals-29.jpg
  • Unidentified day laborers listen to Antonio Bernabe (not shown) speak at the Balboa Day Labor Center in Van Nuys, Calif., on Dec. 7, 2009. Bernabe was visiting the center on behalf of the Coalition for Humane Immigrant Rights of Los Angeles (CHIRLA), delivering an educational program informing laborers of a new city ordinance that affects their right to hold employers accountable who fail to pay them for their day's work. Bernabe, originally of Guanajuato, Mexico, and now U.S. citizen and resident of Van Nuys, California, is a day laborer organizer and has worked for CHIRLA for 12 years. In his current position, he is responsible for executing educational programs for day laborers in the greater Los Angeles area. Bernabe's programs include campaigns to inform workers of their rights, inform them about immigration and work law, and to inform them about access to social services such as health care, English classes, and paths to residency and citizenship. Bernabe, who was once himself a day laborer, works for the betterment of the community and for immigrant rights.  Day laborers are workers in manual labor fields, such as home construction and painting, who solicit temporary work, often from public street corners. Day laborers are made up of American citizens, documented immigrants, and most commonly, undocumented immigrants, all of whom are unable to find other work or regular employment. A majority of the day laborers in the Los Angeles area are from Central America and are Spanish speakers. Photo by Jen Klewitz..Photo by Jen Klewitz
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  • An unidentified member of the band Journaleros del Norte, whose members are all immigrant day laborers, surveys the crowd from the back of a flatbed truck serving as a rolling stage during a concert at a peaceful Thanksgiving march to honor immigrant rights. The Journaleros del Norte play original music with lyrics that tell of the lives and challenges of journaleros, or day laborers. Some marchers in the crowd carried white crosses to represent those who died attempting to cross the U.S.-Mexico border during the previous year. The crosses are labeled with the names of men and women, their age, and the approximate date of their death.  The march was put on by the Coalition for Humane Immigrant Rights of Los Angeles (CHIRLA), an immigration rights group based in Los Angeles, Calif., and took place in North Hollywood, California on November 25, 2009.  Photo by Jen Klewitz
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  • Laughing Buddahs, Chinatown, Singapore. Photo by Jen Klewitz
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  • Locals and tourists alike watch the sunset from the ruins of the Forte de Ponta Fortress, Morro de São Paulo, Bahia, Brazil. Photo by Jen Klewitz
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  • Students of the Olodum School, an arts and music school set up for underprivelaged children by the renown Brazillian music group Olodum, play outside the classroom in the streets of the Pelourinho neighborhood of Salvador, Brazil. Photo by Jen Klewitz
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  • Portrait of Joseph De Leon Jr.,  percussionist for Rumbankete, a Los Angeles, California-based salsa orchestra, taken in Woodland Hills, Calif., on April 3, 2010, for the band's promotional use and album cover.  Photo by Jen Klewitz.  (Jen Klewitz © 2010)
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  • Portrait of James Miller, trombonist for Rumbankete, a Los Angeles, California-based salsa orchestra, taken in Woodland Hills, Calif., on April 3, 2010, for the band's promotional use and album cover.  Photo by Jen Klewitz.  (Jen Klewitz © 2010)
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  • A student delights at her catch while camped in the Marlborough Sounds of New Zealand during a Sea Kayak Section of a Semester course with the National Outdoor Leadership School. Photo by Jen Klewitz © 2008
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  • Lewis Pass area, South Island, New Zealand. Photo by Jen Klewiz
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  • Antique bucket exposed to the weather outside an old sheep station hut high in the Arrowsmith Range, South Island, New Zealand. Photo by Jen Klewitz
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  • Lewis Pass, South Island, New Zealand. Photo by Jen Klewitz
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  • Students pause for a photo before beginning a round of "mountaineering olympics". The "olympics" is a learning exercize in which students put their decision making and rope team skills to the test in the Arrowheads Mountain Range on the South Island, New Zealand, during  the mountaineering section of a semester course with the National Outdoor Leadership School.  Photo by Jen Klewitz © 2007
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  • Drysdale National Park, Australia. Photo by Jen Klewitz
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  • Grasses of the tropical savannah, Kimberly region, Australia. Photo by Jen Klewitz
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  • Windmills from the Albany Wind Farm catch the wind off the ocean near the city of Albany, Australia. Photo by Jen Klewitz
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  • Landscape, the Pilbara, Australia. Photo by Jen Klewitz
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  • Aboriginal petroglyphs found on Murujuga, also known as the Burrup Peninsula , in the Pilbara region of Australia. The peninsula contains the world's largest collection of petroglyphs, all of which are currently threatened by nearby natural gas mining operations.  The original creators of the petroglyphs-ancestors of the Yaburara people- no longer exist. The current claimants/custodians are the Ngarluma Yindjibarndi, Wong-goo-tt-oo and Yaburara Mardudhunera Aboriginal peoples. Photo by Jen Klewitz  Photo by Jen Klewitz
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  • Koji Ah-Choo, foreground, a member of the Bardi Aboriginal clan of the northwestern Kimberly region of Australia,  rests with Sam Bright, of southwestern Australia, near a leafy spring on Sunday Island. Sunday island one of a chain of islands that make up part of the Bardi's traditional ancestral lands. Photo by Jen Klewitz
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  • Freshwater crocodile, the Kimberly, Australia. Photo by Jen Klewitz
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  • Students travel up a small canyon during a hiking section of their Australian Semester with the National Outdoor Leadership School,  in Drysdale National Park,  Kimberly region, Australia. Photo by Jen Klewitz
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  • Sunset over the Kimberly, Drysdale National Park, Australia. Photo by Jen Klewitz
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  • Gabriela Melgar, left, and Cecily Pickens-Gibbs, right, share a laugh after a salsa dance class at the Hollywood Dance Center in Hollywood, California, on Saturday, November 21st, 2009. Photo by Jen Klewitz
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  • Children take turns taking a swing at a piñata at a Christmas-related event  at Our Lady Queen of Angels Church,  Los Angeles, Calif., on December 29, 2009. Photo by Jen Klewitz
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  • Interior, Hotel Nacional, Habana, Cuba. Photo by Jen Klewitz
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  • Children play tag games in the street while adults hover in doorways and sit on doorsteps on a darkened block of their inner city neighborhood of Jesus Maria, in Havana, Cuba.  Rolling electrical blackouts, due to infrastructure problems and a lack of oil in the country, drive residents into the streets to escape the heat and darkness of the buildings.  The random blackouts can often strike one block, while leaving the next illuminated. Photo by Jen Klewitz
    Cuba-63.jpg
  • Interior of state-run rations office, Centro Havana, Cuba. To the left is the distribution board, listing amounts and types of food, such as rice and sugar, to be issued to each person. Government propaganda is tacked to the board to the right. Photo by Jen Klewitz
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  • Pablo Torres Hernandez, left, and Elina Miro Rodriguez contemplate their next moves during an afternoon match of Dominoes in Centro Habana, Cuba. Photo by Jen Klewitz
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  • Fading propaganda mural, Centro Habana, Cuba. Photo by Jen Klewitz
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  • Children play tag games in the street while adults hover in doorways and sit on doorsteps on a darkened block of their inner city neighborhood of Jesus Maria, in Havana, Cuba.  Rolling electrical blackouts, due to infrastructure problems and a lack of oil in the country, drive residents into the streets to escape the heat and darkness of the buildings.  The random blackouts can often strike one block, while leaving the next illuminated. Photo by Jen Klewitz
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  • Still life, Habana Vieja, Cuba.  Photo by Jen Klewitz
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  • Night has fallen over the empty 6th floor pool of the Hotel Deauville, above the corners of San Lazaro and Galiano, in the Havana, Cuba neighborhood of Centro Habana. Photo by Jen Klewitz
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  • A well worn path through the rubble leads to home for many inhabitants of the surrounding buildings of  this lot in Havana Vieja, Cuba, where previously a structure once stood.  In the dense city of Havana, the spaces where deteriorating buildings have fallen or been demolished by the state, (which lacks resources to repair or construct new buildings, often despite their historical or architectural significance), if able to be cleared, are often filled with playgrounds, basketball courts, car lots, or mechanic's shops. Many lots otherwise sit with rubble piles in place for years at a time, or are cleared slowly over a number of months or years.  Photo by Jen Klewitz
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  • Late Night, Centro Habana, Cuba. Photo by Jen Klewitz
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  • Eliza Lopez, far right, pauses to address neighbors at the door while hand sifting through rice to check for small rocks. Sifting the government-rationed rice is a daily ritual for Lopez before preparing the midday meal in the kitchen of her sister Milagro Suarez, far left, in the Havana, Cuba neighborhood of Jesus Maria. Photo by Jen Klewitz
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  • Interior, Casa de Asia, Habana Vieja, Cuba. The painting to the left was a gift from the Korean leader Il Sung Kim to Fidel Castro for his 60th birthday..Photo by Jen Klewitz
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  • Stefanie Pelegrino, 7, of the Habana, Cuba neighborhood of Jesus Maria, sits for a portrait. Photo by Jen Klewitz
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  • Neighbors try to catch some fresh air and play an afternoon game of chess sitting out on what is left of the second-story, inner-balcony floor of their deteriorating apartment building in Centro Havana, Cuba, 1999.  Photo by Jen Klewitz
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  • Photo from a recording session of the music group Marbella, taken at the Coney Island Studio in Glendale, Calif., on Jan 22 and 23, 2011. Photo by Jen Ziel Klewitz (www.jenzielklewitz.com) .  The group is headed by singer Caroline Pierotto and guitarist Jose Antonio Cruz Moreno. Forthcoming album produced by Alberto Lopez.  © Jen Ziel Klewitz
    MarbellaStudioFinals-27.jpg
  • Photo from a recording session of the music group Marbella, taken at the Coney Island Studio in Glendale, Calif., on Jan 22 and 23, 2011. Photo by Jen Ziel Klewitz (www.jenzielklewitz.com) .  The group is headed by singer Caroline Pierotto and guitarist Jose Antonio Cruz Moreno. Forthcoming album produced by Alberto Lopez.  © Jen Ziel Klewitz
    MarbellaStudioFinals-20.jpg
  • Photo from a recording session of the music group Marbella, taken at the Coney Island Studio in Glendale, Calif., on Jan 22 and 23, 2011. Photo by Jen Ziel Klewitz (www.jenzielklewitz.com) .  The group is headed by singer Caroline Pierotto and guitarist Jose Antonio Cruz Moreno. Forthcoming album produced by Alberto Lopez.  © Jen Ziel Klewitz
    MarbellaStudioFinals-17.jpg
  • Photo from a recording session of the music group Marbella, taken at the Coney Island Studio in Glendale, Calif., on Jan 22 and 23, 2011. Photo by Jen Ziel Klewitz (www.jenzielklewitz.com) .  The group is headed by singer Caroline Pierotto and guitarist Jose Antonio Cruz Moreno. Forthcoming album produced by Alberto Lopez.  © Jen Ziel Klewitz
    MarbellaStudioFinals-13.jpg
  • Image from an immigration rights march held in downtown Los Angeles, Calif., on March 27,  2009.  Photo by Jen Klewitz
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  • Antonio Bernabe pauses on the corner of Kester Blvd. and Oxnard Ave., in Van Nuys, Calif., on Dec. 9, 2009. Bernabe was visiting the day laborers waiting on the street corner for work on behalf of the Coalition for Humane Immigrant Rights of Los Angeles (CHIRLA). He spoke to the men and handed out flyers informing laborers of a new city ordinance that affects their right to hold employers accountable who fail to pay them for their day's work. Bernabe, originally of Guanajuato, Mexico, and now U.S. citizen and resident of Van Nuys, California, is a day laborer organizer and has worked for CHIRLA for 12 years. In his current position, he is responsible for executing educational programs for day laborers in the greater Los Angeles area. Bernabe's programs include campaigns to inform workers of their rights, inform them about immigration and work law, and to inform them about access to social services such as health care, English classes, and paths to residency and citizenship. Bernabe, who was once himself a day laborer, works for the betterment of the community and for immigrant rights.  Day laborers are workers in manual labor fields, such as home construction and painting, who solicit temporary work, often from public street corners. Day laborers are made up of American citizens, documented immigrants, and most commonly, undocumented immigrants, all of whom are unable to find other work or regular employment. A majority of the day laborers in the Los Angeles area are from Central America and are Spanish speakers. Photo by Jen Klewitz
    Immigration-14.jpg
  • Ricardo Perez pauses to survey the crowd during a peaceful Thanksgiving march to honor immigrant rights, put on by the Coalition for Humane Immigrant Rights of Los Angeles (CHIRLA), an immigration rights group based in Los Angeles, California. The march took place in North Hollywood, California, on November 25, 2009. Some marchers, including Perez, carried white crosses to represent those who died attempting to cross the U.S.-Mexico border during the previous year. The crosses are labeled with the names of men and women, their age, and the approximate date of their death. Photo by Jen Klewitz
    Immigration-10.jpg
  • Girls from Indio, California, decide on a which airbrush design to get drawn on a tee-shirt at a vendor's  booth at the Riverside County Fair and National Date Festival, in Indio, California on February 13, 2009. Photo by Jen Klewitz
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  • Guan Yin, Singapore. Photo by Jen Klewitz
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  • Statuettes of the Hindu god Ganesh, Singapore. Photo by Jen Klewitz
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  • Marketplace, Chinatown, Singapore. Photo by Jen Klewitz
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  • Trinkets in a sidewalk shop honoring deity Guan Yin.  Chinatown, Singapore. Photo by Jen Klewitz
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  • Participants of the Festa de Iemanjá, or Festival of Yemayá, take to the beaches of the neighborhood of Rio Vermelho, in Salvador, Brazil. The festival is a celebration of the Candomblé deity, or orixás, Iemenjá, who is a goddess of the sea and embodies the feminine principle.  The religious bring offerings to Iemenjá, which are sent out to sea and dropped in the water by boats waiting on the shore for this purpose. It is believed that offerings which are not returned to shore by the sea over the following days are deemed accepted by Iemenjá. Photo by Jen Klewitz
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  • Portrait of Ruben Ordiano, drummer for Rumbankete, a Los Angeles, California-based salsa orchestra, taken in Woodland Hills, Calif., on April 3, 2010, for the band's promotional use and album cover.  Photo by Jen Klewitz.  (Jen Klewitz © 2010)
    RKalbum-30.jpg
  • Portraits Naomi Sato, violinist for Rumbankete, a Los Angeles, California-based salsa orchestra, taken in Woodland Hills, Calif., on April 3, 2010, for the band's promotional use and album cover.  Photo by Jen Klewitz.  (Jen Klewitz © 2010)
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  • Portrait of Alberto Lopez, percussionist for Rumbankete, a Los Angeles, California-based salsa orchestra, taken in Woodland Hills, Calif., on April 3, 2010, for the band's promotional use and album cover.  Photo by Jen Klewitz.  (Jen Klewitz © 2010)
    RKalbum-15.jpg
  • Portrait of Lorenzo Vasquez, bass musician Rumbankete, a Los Angeles, California-based salsa orchestra, taken in Woodland Hills, Calif., on April 3, 2010, for the band's promotional use and album cover.  Photo by Jen Klewitz.  (Jen Klewitz © 2010)
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  • Maquina, Trinidad, Cuba. Photo by Jen Ziel Klewitz
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  • Moutueka, New Zealand. Photo by Jen Klewitz
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  • Jamie O'Donnell crosses a wire foot bridge while trecking through the Lewis Pass area, South Island, New Zealand. Photo by Jen Klewitz
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  • The road to Hapuku...is paved with surf. South Island, New Zealand. Photo by Jen Klewitz
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  • Hikers, Kahurangi Range, South Island, New Zealand. Photo by Jen Klewitz
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  • Reflections of the Australian bush in  a billabong, the Kimberly, Australia. Photo by Jen Klewitz
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  • The Kimbelry, Australia. Photo by Jen Klewitz
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  • Rock art pantings known as the Gwion Gwion, or Bradshaw style, found in the remote northern reaches of the Kimberly region, Australia. The age and original creators of the paintings, whose images and figures differ dramatically from other Aboriginal Australian rock art, are as of yet unidentified. Photo by Jen Klewitz
    Australia-53.jpg
  • Koji Ah-Choo, right, an Aboriginal educator and member of the Bardi Aboriginal mob, watches the tides change on Sunday Island, while student visitors from the National Outdoor Leadership School take a rest break in the shade. Photo by Jen Klewitz
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  • Boab tree, Kimberly region, Australia. Photo by Jen Klewitz
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  • Dry, cracked river bed, the Kimberly, Australia. Photo by Jen Klewitz
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  • Students gather in groups to plan for independent travel days during a hiking section of their Australian Semester with the National Outdoor Leadership School,  in Drysdale National Park, Australia. Photo by Jen Klewitz
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